Használati útmutató Moog MiniVoyager XL
Moog
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MiniVoyager XL
Olvassa el alább 📖 a magyar nyelvű használati útmutatót Moog MiniVoyager XL (100 oldal) a nincs kategorizálva kategóriában. Ezt az útmutatót 12 ember találta hasznosnak és 6.5 felhasználó értékelte átlagosan 4.7 csillagra
Oldal 1/100
Page 3
Table of Contents
FOREWORD from Cyril Lance .................................. 4
THE BASICS
How to use this Manual ....................................... 6
Setup and Connections ........................................ 7
Overview and Features ........................................ 10
Signal Flow .................................................................... 12
THE COMPONENTS
A. Mixer Section ........................................................ 16
B. Oscillator Section ................................................ 18
C. Filter Section ......................................................... 21
D. Envelopes Section .............................................. 24
E. Output Section ..................................................... 27
F. Modulation Section .......................................... 28
G. Primary LFO/S&H Section .......................... 31
H. Keyboard & LH Controllers ......................... 33
I Ribbon Controller ................................................. 34
J Touch Surface Controller ................................. 35
K. Modular Patch Panel ........................................... 36
L. Back Panel .................................................................. 44
M. Interface Panel ...................................................... 45
THE USER INTERFACE
Panel Mode ............................................................................ 46
Edit Mode ................................................................................ 50
Master Mode ......................................................................... 65
How the Voyager XL handles MIDI ........................ 78
APPENDICES
A – Touch Surface LFO S&H: In Use ....................... 83
B – MIDI Basics .................................................................. 84
C – Initialization Parameters ...................................... 86
D – Synthesis Tutorial ....................................................... 88
E – MIDI Implementation ............................................... 93
F – Service & Support Information .......................... 94
G – Caring for the Voyager XL .................................... 94
H – Specications ................................................................. 95
GLOSSARY ...................................................................................... 96
PRESET LIST .................................................................................. 100
User’s Manual
Minimoog
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Foreword
In early September 2005, Ileana Grams Moog asked me to go out to Bob’s place in the country and see what
the state of his workshop was. That day in North Carolina was impossibly beautiful. As we drove up a long,
windy gravel driveway in Turkey Cove, we came to this idyllic spot surrounded by mountain laurels, oaks and
babbling creeks. Standing there was a steel outbuilding eerily similar to my own workshop. This was the place
Bob called “Big Briar”.
Feeling a bit like Indiana Jones, we gured out which old key opened the building and turned on the
lights. Piles of papers, parts of electronics, old synthesizers, solder, screws, knobs, and tools were scattered
everywhere. Since I never had the chance to know Bob very well, I felt a little bit like I was transformed
back to a time when he must have been busy tinkering in his shop plying his unique blend of intuition and
intelligence.
After about an hour of poking around, my foot hit something hard on the oor – I looked down and there
was a black trash bag at my feet, just lying there like it had been abandoned and forgotten.
I opened it up and it was one of those moments when angels actually sing (of course, this time the voices
sounded very much like something from an old Wendy Carlos track…).
Inside this bag was a Minimoog in pristine condition. On it was a plaque stating it was one of the last 25 made
on the Minimoog line. I just started laughing. How BOB! This is how I was slowly starting to know him better;
this mythic instrument was probably brought in one night, placed on the oor as he headed to his workbench
to nish some circuit, and then forgotten.
The Minimoog has a very special place in the history of electronic instruments. They are loved, played, abused,
coveted, hidden away so as not be touched, talked about, blogged about, and on and on. They were noisy,
unstable, quirky, funky – everything that makes for a great soulmate! Now it’s 40 years later, and the Voyager
XL was born out of the desire to celebrate this history.
When we at Moog discussed this project, we decided that we needed to celebrate more than the Minimoog
per se, but the larger legacy of Bob’s work. To hark back to the original modular approach and to encourage
musicians to really take advantage of what I consider to be the singular most important aspect of our
instruments: the Control Voltage. Something so basic and simple but it is still revolutionizing the world of
sound.
The XL was born out of a lot of evolving ideas both internal and external since I have been here with Moog.
The request for a larger keyboard, the desire for Ribbon Controller, and for more LFO sources with different
ranges to further expand a musician’s ability to modulate – one of the most fundamental aspects of musicality.
We also felt strongly that this needed to be on the front panel. All these features needed to be immediate,
playable, and fully analog – they DEMAND you to craft your sounds and to architect your soundscapes in the
organic way that made the original modulars so magical.
The XL’s larger keyboard allows you to create much longer harmonic ideas but should also encourage you
to use this keyboard as a polyphonic controller and then further blow down the sonic doors by feeding
this polyphonic source back into the Voyager via the External Audio adding a whole other dimension of
possibilities!
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I am extremely excited about this instrument. It, of course, builds upon the Minimoog Voyager–Bob’s
seminal synthesizer–yet adds another option to our family of synths from the small (our new SLIM Phatty)
to the large (the Voyager XL). Each of these instruments have their own personality, their own voice, and
excel in different ways. But they all are direct descendants of that funky little Minimoog sitting on the oor
of Bob’s workshop that I stumbled upon accidentally that day. They are all direct descendents of the passion
that you, the artists, have put into making your voice heard through this incredible legacy.
As with any instrument, we spend many, many hours discussing and debating features with our customers.
I am extremely appreciative of the huge contributions and always-informative conversations with Moog
guru Brian Kehew, as well Drew Newman, Eric Levy and Roger O’Donnell among others. This continual
collaboration with the artists who use our instruments allows us to craft tools that meet the visions and
inspirations of folks like yourself.
HUGE thanks to my incredibly brilliant and dedicated engineering team: Steve Dunnington, Amos Gaynes,
Rich Shaich, and Eric Church. Nothing is possible without them (including my sanity!). Special thanks to Rudi
Linhard, Axel Hartman, David Rankin and Core Design for their expert contributions. To the terric team at
Moog who are involved in building, shipping, and selling instruments around the world – you are a wonderful
bunch! Thanks to the tireless efforts of our marketing team which gets the news out to you and beyond
and also continually strives to keep Bob’s vision alive. Thanks also to Greg Kist for this incredible manual – a
treasure trove of knowledge and help on the instrument.
To all of you who continually give us your ideas, your passions and your music – you are the bedrock of
Moog Music. We appreciate you all and honor what you do with our instruments. We can’t wait to hear
what you do with the XL.
Finally, without Mike Adams, our president, Moog Music would not be here and especially not continue to
maintain the excellence of spirit and intention through these times. His tireless work and fortitude cannot
be understated. The fact that we are here to celebrate the 40
th
anniversary of the MiniMoog owes a lot to
his vision and skills.
This morning I brought the rst working XL home and plunked it down in my living room. My six-year old
son’s eyes lit up and he jumped up on a little chair, turned it on, and immediately started crafting his own
sounds, plugging cables in and out, listening, adjusting and grooving – for over an hour until I unplugged it so I
could get back to work (he was not happy about that)!
Now it’s your turn!
It brings me great pleasure to present the Minimoog Voyager XL to you. I hope it brings you a lifetime of
pleasure and inspiration.
Sincerely,
Cyril Lance
Senior Engineer and Chief Technical Alchemist
Termékspecifikációk
| Márka: | Moog |
| Kategória: | nincs kategorizálva |
| Modell: | MiniVoyager XL |
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