Használati útmutató Arturia MiniBrute

Arturia MIDI billentyűzet MiniBrute

Olvassa el alább 📖 a magyar nyelvű használati útmutatót Arturia MiniBrute (49 oldal) a MIDI billentyűzet kategóriában. Ezt az útmutatót 7 ember találta hasznosnak és 4 felhasználó értékelte átlagosan 3.6 csillagra

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Arturia MiniBrute User's Manual 6 Legal notes1

USER'S MANUAL

Arturia MiniBrute User's Manual 6 Legal notes2

PRODUCT AND PROJECT MANAGEMENT

Frédéric BRUN

Romain DEJOIE

ELECTRONICS

Yves USSON

Bruno PILLET

François BEST

Laurent BARET

Robert BOCQUIER

Antoine BACK

DESIGN

Axel HARTMANN (Design Box)

Daniel VESTER

Morgan PERRIER

INDUSTRIALIZATION

Nicolas DUBOIS

Suzy ZHU (Huaxin)

MANUAL

Yves USSON

Craig ANDERTON

Antoine BACK

Yasu TANAKA

Noritaka UBUKATA

SPECIAL THANKS TO:

Arnaud REBOTINI, Étienne JAUMET, Jean-Benoît DUNCKEL, Simon TARRICONE,

Glen DARCEY, Frank ORLICH, Jean-Michel BLANCHET, Frédéric MESLIN,

Mathieu BRUN, Gérard BURACCHINI.

1st edition: February 2012

Information contained in this manual is subject to change without notice and does not represent a

commitment on behalf of ARTURIA. The hardware unit and the software product described in this manual are

provided under the terms of a license agreement or non-disclosure agreement. The license agreement

specifies the terms and conditions for its lawful use.

No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s

personal use, without the explicit written permission of ARTURIA S.A. All other products, logos or company

names quoted in this manual are trademarks or registered trademarks of their respective owners.

ARTURIA S.A.

4, chemin de Malacher

38240 Meylan

FRANCE

http://www.arturia.com

Arturia MiniBrute User's Manual 6 Legal notes3

TABLE OF CONTENTS

1 Introduction ............................................................................. 5

2 Installation ............................................................................... 9

2.1 Usage Precautions ................................................................................................. 9

2.2 Register your Instrument ...................................................................................... 11

2.3 Connecting the MiniBrute to the World ............................................................ 11

2.4 Warm-Up and General Tuning ........................................................................... 12

3 Quickstart .............................................................................. 14

3.1 Create your first sound: the “basic patch” ...................................................... 14

3.2 Add some vibrato ................................................................................................15

3.3 Tweak the envelope ............................................................................................ 16

3.4 Meet the LFO ......................................................................................................... 17

3.5 Create arpeggiated sequences ....................................................................... 18

4 General description ............................................................. 20

4.1 Analog synthesizer architecture ........................................................................20

4.1.1 Signal generators .....................................................................................................................20

4.1.1.1 Pitched signal generator (oscillators) ................................................................................. 20

4.1.1.2 Unpitched signal generator . ................................................................................................ 21

4.1.2 Signal enhancers ..................................................................................................................... 22

4.1.3 Filter ........................................................................................................................................... 23

4.1.3.1 What is a filter? ........................................................................................................................ 23

4.1.3.2 Filter types: Low-pass, Band-pass, High-pass and Notch ................................................ 23

4.1.3.3 Resonance or emphasis ........................................................................................................ 25

4.1.4 Amplifier .................................................................................................................................... 25

4.1.5 Modulators ............................................................................................................................... 26

4.1.6 Player interface ....................................................................................................................... 27

4.1.7 Inputs and outputs .................................................................................................................. 28

4.1.8 MiniBrute diagram ................................................................................................................... 29

4.2 Front Panel ............................................................................................................. 30

4.2.1 The oscillator and its signal mixer ..........................................................................................30

4.2.1.1 The waveforms ........................................................................................................................ 30

Saw and Ultrasaw ................................................................................................................................ 30

Square and Modulated Pulse ............................................................................................................ 30

Triangle and Metalizer ......................................................................................................................... 31

The sub-oscillator (Sub Osc) ............................................................................................................... 31

Noise ...................................................................................................................................................... 31

Audio In .................................................................................................................................................31

4.2.2 The filter .....................................................................................................................................32

4.2.2.1 Mode ......................................................................................................................................... 32

4.2.2.2 Cutoff ........................................................................................................................................ 32

4.2.2.3 Resonance ............................................................................................................................... 32

4.2.2.4 ENV Amt (envelope amount) .............................................................................................. 33

4.2.2.5 KBD Tracking ............................................................................................................................ 33

4.2.2.6 Envelope speed ...................................................................................................................... 33

4.2.2.7 Filter Envelope ......................................................................................................................... 33

4.2.3 The amplifier ............................................................................................................................. 34

4.2.3.1 Amplifier Envelope ................................................................................................................. 34

4.2.4 Controls ..................................................................................................................................... 34

4.2.4.1 MOD Wheel ............................................................................................................................. 34

4.2.4.2 Aftertouch ................................................................................................................................ 35